– Understanding the climate behind our political disorientation
“European foreign ministers reach consensus on the way forward.” “Leaders of NATO arrive at consensus on the future of…” This is how most of us encounter the word “consensus”: as the public announcement of a structural adjustment within the prevailing conditions of the inherited field. It appears as something achieved, negotiated, formalised.
To put that in ordinary English, I’m saying that when we hear the word consensus, we usually assume that it meas that the people in charge have already worked something out behind closed doors and are now telling the rest of us what the new arrangement will be. It’s presented as a tidy agreement, a finished product, rather than something alive, contested, or emerging from the deeper social and economic conditions.
But consensus also lives at a much smaller scale. Often silent, often unspoken. Something you absorb simply by being there, by living alongside others. A neighbour of mine in a village of about 250 people recently voiced distress about another resident who moved here a decade ago. They had been given time to accommodate, but still they ran a petrol lawnmower between 12.30 and 2.00pm, – a quiet time – and they continued to park their truck and trailer in a narrow lane, making it difficult for prams and pushchairs. There are no written rules against any of this. It is simply understood that a good villager does not do these things. The consensus is cultural, inherited, and lived rather than declared.
The apparent disparity between these two grammars of consensus – the macro, which is performed and announced, and the micro, which is absorbed and enacted- becomes visible on the cusp of rupture. Rupture is the moment when we start to see cracks in the structure. When we sense that the prevailing conditions can no longer sustain the consensus they claim to uphold, even as everything around us continues to insist that nothing has changed. We begin to feel that something isn’t being straight with us, and with that comes a flicker of frustration, even a sense of being deceived. It is a powerful moment: the world tilts slightly, and we find ourselves seeing it differently.
In more technical language, I would say that rupture is the moment when the inherited climate becomes objectified: the self begins to perceive the conditions that once felt natural as external structures shaping its behaviour. What previously appeared as simply “how things are done” becomes recognisable as a consensus that was holding the field together—and is now failing to do so.
How Consensus Was Made – The Historical Construction of the Consensus‑Milieu
The climate in which consensus became the default grammar of legitimacy did not arise naturally. It was constructed, cultivated, and reaffirmed across several centuries.
Its earliest traces appear in the legal abstractions of the late medieval and early modern English courts, where figures such as John Doe, Richard Roe, and John Nokes were introduced as fictional stand‑ins for litigants. These were early technologies of shared comprehension: devices that allowed the law to operate impersonally, to speak in a vocabulary that could be recognised across the realm. The legal subject became a type, a placeholder – and in doing so, the law began to generate a common imaginary space in which disputes could be understood and resolved.
A few centuries later, under Elizabeth I, this movement was expanded and formalised. The network of grammar schools established during her reign was a deliberate project to cultivate a shared linguistic and moral grammar among the yeoman class – the strata from which clerks, minor officials, parish leaders, and local administrators would be drawn. These schools produced a population that could be addressed in a common vocabulary. Consensus was not negotiated; it was trained.
After 1649, this project was taken up again by a ruling elite recovering from its own rupture. The English public schools became consensus‑factories for a new ruling bloc composed of landowners and the emergent enterprise class. They produced a recognisable type of self – the “gentleman” – whose authority rested on a shared climate of comprehension. This was the elite reaffirmation of the Elizabethan project, adapted to the needs of a class alliance seeking stability after civil conflict.
Across the eighteenth, nineteenth, and much of the twentieth century, this consensus‑milieu held. It provided the background climate in which legitimacy was understood, in which public life was conducted, and in which the collective self was shaped. It extended from the courtroom to the civil service to the village lane – and it did not remain confined to England. The milieu of consensus was exported throughout the British Empire, shaping the administrative classes of its colonies and informing the political formation of the American elite, both loyalists and the rebels who would become the founders of the United States. Its traces remain visible in the American use of “John Doe” and “Jane Doe” as administrative placeholders for unknown or unidentified persons – a direct inheritance of the English legal fictions that once trained a shared grammar of comprehension. In France, where the Revolution had destroyed the old elite grammar, a new consensus‑milieu was gradually reconstructed through the nineteenth century and consolidated after the First World War, when the technocratic institutions of the Third Republic produced a recognisable ruling type once again. Consensus was not merely an agreement; it was the climate in which agreement was possible.
This long arc begins to fracture in the late twentieth century. From the 1980s onward, agents of the practico‑inert – the slow‑moving, impersonal forces of corporations, financial institutions, and managerial bureaucracies – began to discard consensus as a constraint. Metrics replaced mutual comprehension. Markets replaced shared standards. Managerial prerogative replaced the climate of restraint. The consensus‑milieu, once the stabilising field of the collective self, began to decay.
Representation in the Inherited Field
For as long as the consensus‑milieu held, representation depended on recognisability – the sense that a representative embodied the grammar of the climate. They were legible because they had been formed inside the same shared vocabulary, the same moral exemplars, the same rhetorical codes that structured the field itself. Representation was therefore not primarily a political function but a climatic one: the representative was the point at which the climate recognised itself.
As the consensus‑milieu decays, this form of representation becomes unstable. The inherited field still expects recognisable types, still seeks the familiar grammar of legitimacy, still looks for the representative self it once produced. But the climate that sustained those types has thinned. The representative form persists, but the conditions that once made it authoritative no longer hold.
It is at this point – when the inherited grammar persists but the climate that sustained it has weakened – that the distinction between representation in the inherited field and representation in An Aimsir becomes visible. The inherited field recognises only those who embody its fading grammar. An Aimsir, by contrast, does not require recognisability; it requires exposure – the moment when the self encounters the real conditions of the situation without the shelter of consensus.
Consensus as the Last Shelter of Legitimacy
Consensus is not agreement, harmony, or shared belief. It is the final performance of a legitimacy that has already decayed. When the inherited grammar collapses, consensus persists as a practico‑inert demand for alignment: the expectation that people will continue to behave as if the old structure still holds.
Consensus becomes a residual choreography – a set of inherited gestures repeated out of habit, fear, or inertia. It is not a shared conviction. It is a performance of stability in a world where stability no longer exists. This is why contemporary appeals to consensus feel strained, brittle, and strangely theatrical: they are attempts to preserve the appearance of coherence after the grammar that once produced coherence has failed.
Consensus is not an instrument of praxis. It is the structure praxis must pass through and abandon.
Praxis begins when the demand for consensus is no longer obeyed – when the self stops performing alignment and begins to act in accordance with the real conditions of the situation. This is not rebellion, dissent, or rupture in the dramatic sense. It is the quiet, unavoidable recognition that the consensus‑milieu has thinned to the point where it can no longer organise action.
Marx, Sartre, and the Climate of An Aimsir
The behaviour of consensus becomes clearer when viewed through Marx and Sartre.
For Marx, consensus is the ideological surface that masks contradiction: it allows the inherited field to appear coherent even when its underlying antagonisms are intensifying.
For Sartre, consensus is a form of seriality – individuals aligned in parallel, repeating inherited gestures without forming a group capable of praxis.
Marx explains why consensus persists – it conceals the conflict that would otherwise destabilise the field. Sartre explains how consensus persists – it serialises individuals into a practico‑inert formation.
In the climate of An Aimsir, these two movements converge. Consensus survives only as residue, the last shelter of legitimacy in a field where legitimacy has already decayed. When consensus weakens, seriality loosens; when seriality loosens, contradiction becomes visible; and when contradiction becomes visible, the conditions for praxis appear.
Representation in An Aimsir
Representation in An Aimsir does not arise from recognisability or from inhabiting the inherited grammar of legitimacy. It emerges from exposure – from the moment when the self encounters the real conditions of the situation without the shelter of consensus.
In the inherited field, representation was a performance of alignment: the representative embodied the climate, spoke its vocabulary, and reproduced its expectations. In An Aimsir, representation begins when that performance collapses. It is not a matter of speaking for others but of revealing the conditions that shape us all.
This shift becomes clearest in situations where consensus was once the stabilising grammar of action. Collective bargaining is one such site. For decades, it functioned as a practico‑inert choreography: a ritualised performance of conflict and resolution that allowed both sides to behave as if the inherited climate still held.
But inside the process, the instability was always visible. The asymmetry between capital and labour was not an occasional distortion; it was the structural condition. The consensus of collective bargaining was always temporary, always contingent, always dependent on conditions that were themselves in motion.
This is where the intention to bend becomes intelligible. It was not a personal disposition or a tactical choice. It was a behaviour demanded by the inherited climate – a way of acting inside a structure whose stability was already decaying. To bend was to acknowledge, implicitly, that the consensus being performed could not hold. It was to act in a field where the conditions were shifting faster than they could be forecast, where the practico‑inert forces shaping the negotiation were already moving beyond the reach of the inherited grammar.
In this sense, collective bargaining was a microcosm of the larger climate shift. The performance of consensus persisted, but the conditions that once sustained it were dissolving. The contradiction was visible to anyone who had to negotiate inside it: the choreography continued, but the ground beneath it was moving. The representative self – the one trained to inhabit the inherited grammar – could still perform the role, but the climate no longer recognised the performance as authoritative.
Representation in An Aimsir emerges precisely at this point. It is the moment when the representative stops performing the inherited grammar and begins to articulate the real conditions of the situation. Representation becomes an act of exposure: revealing the asymmetry, the instability, the impossibility of forecasting, the practico‑inert forces that shape the field.
In An Aimsir, representation is no longer the climate recognising itself. It is the climate revealing itself.
Concluding Movement (Landing)
We live at a moment when the inherited grammar of consensus still lingers, but the climate that sustained it has already shifted. The gestures remain, the vocabulary persists, the expectations echo – yet none of them hold the field together as they once did.
This is not a failure of institutions or a collapse of political will. It is the exposure of a deeper movement: the transition from a climate organised by recognisability to a climate organised by conditions.
In An Aimsir, legitimacy no longer flows from alignment with inherited forms but from the clarity with which the situation is revealed. Representation becomes an act of exposure, not performance; action becomes possible not because consensus has been achieved, but because its demand has finally loosened.
What emerges is not a new structure but a new visibility – a way of seeing the field without the shelter of consensus, and of acting within it without the need to pretend that the old climate still holds.
Epilogue: On Choreography
There was a time when consensus resembled the old Sunday‑night choreography of the Tiller Girls: perfectly synchronised, rehearsed into stability, a single performance that held its shape because the climate that produced it was still intact.
But as the climate shifted, the choreography changed. By the time Pan’s People appeared on Top of the Pops, synchrony had given way to something looser, more contingent, more exposed. Each dancer moved within the same field, but no longer in lockstep. The performance was shorter, improvised within constraints, a moment rather than a structure.
These essays belong to that latter form. They are not attempts to restore the old choreography of consensus, but brief articulations of a climate in motion – snapshots of perception in An Aimsir, offered before the field shifts again.
David Marshall
Clifden
December 2025